Creativity Isn’t a Trait. It’s a Signal.
- Dr. Jen Rochlis

- 6 days ago
- 3 min read
I never thought of myself as creative.
I could problem-solve like a pro. But when it came to drawing, writing, music, or art - the things I was taught were the outward signs of creativity - I assumed that just wasn’t my thing.
We tend to talk about creativity that way, as a talent you either have, or you don’t. And when we treat “real” creativity as separate from problem-solving, pattern recognition, or strategic thinking, a lot of capable people quietly opt themselves out.
But that story doesn’t actually match how creativity works.
Creativity isn’t defined by a medium, and it isn’t something we “have” or “lack.”It’s a signal that moves through us.
And like any signal, it can be clear, distorted, or drowned out entirely.
Once you start looking at creativity this way, something else becomes visible. Creativity shows up in more than one way.
Two modes of creativity
One mode is situational creativity.
It’s reactive. It kicks in when there’s something to fix, solve, or stabilize. It rearranges existing material to relieve pressure or restore equilibrium. This kind of creativity is adaptive, conditioned, and deeply practical.
It can be fast and brilliant - but it often emerges from urgency, survival, or necessity.
Another mode is foundational (or quantum) creativity.
This kind of creativity doesn’t respond to pressure. It arrives as insight, epiphany, or originality. It isn’t derived or figured out, it’s received and then shaped by us.
In this mode, we aren’t generating ideas from effort or analysis. We’re acting as stewards for something that wants to emerge through us. It tends to feel less urgent, and more inevitable.
Why creativity feels harder right now
If creativity has felt harder to access lately, it’s probably not because you’ve lost it (or never had it).
What I see far more often is that people are living almost entirely in reaction mode, where situational creativity dominates.
It’s loud. It gets activated by demand, problems to solve, decisions to make, expectations to meet. It gives immediate feedback in the form of relief, completion, or praise. Our nervous systems are wired to respond to it quickly.
Foundational creativity works very differently.
It’s a quieter signal. It doesn’t arrive on command, and it often shows up as an intuitive hit, a curiosity, or a sense that there’s an idea ready for you to notice it (without you knowing what to do with it just yet).
Our lives make that nuance harder to hear.
When we’re busy, overstimulated, or operating from fear or pressure, creativity doesn’t disappear - but it does narrow. We may stay effective, productive, and capable… but we spend our energy and slowly lose touch with the kind of creativity that restores us.
Foundational creativity often looks like waiting before it looks like output, and waiting can feel uncomfortable in a culture that equates speed with value.
So we keep responding and producing, but over time, creativity starts to feel effortful instead of nourishing. And this is where burnout can arise – not always from too much work, but from too little meaning.
The reframe
If creativity has felt strained, elusive, or harder to access than it used to, please know that nothing is wrong or missing. You may simply be living in a mode that was never meant to be permanent.
Situational creativity helps us function, but it spends energy.
Foundational creativity helps us feel alive and restores us.
The work isn’t to force creativity back online, or to produce something impressive. It’s to notice where your signal has been drowned out, and to make just enough space to hear it again.
Creativity isn’t a trait you possess. It’s a signal you learn to listen for…and learn to trust over time.
A question to ponder:
If creativity is a signal (and not something to be generated) what might change if you stopped trying to produce it, and started listening for it instead?







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